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	<title>Comments on: Immediate Responses to the Oscar Nominations</title>
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	<description>Awesome Reviews of Movies, Music, and TV</description>
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		<title>By: Destiny</title>
		<link>http://www.thecriticalcondition.com/2010/02/02/oscarsnom/comment-page-1/#comment-7775</link>
		<dc:creator>Destiny</dc:creator>
		<pubDate>Thu, 04 Feb 2010 02:54:05 +0000</pubDate>
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		<description>I read this article, and I think it is an interesting counterpoint (if you will) to the idea of a more racially and ethnically inclusive Hollywood.  It comments on the recent Vanity Fair Hollywood cover (which featured nine rising starlets, all white and very, very thin) It&#039;s something to think about.

http://www.nbclosangeles.com/entertainment/movies/Vanity-Fairs-Hollywood-is-Skinny-White-Female-83464507.html</description>
		<content:encoded><![CDATA[<p>I read this article, and I think it is an interesting counterpoint (if you will) to the idea of a more racially and ethnically inclusive Hollywood.  It comments on the recent Vanity Fair Hollywood cover (which featured nine rising starlets, all white and very, very thin) It&#8217;s something to think about.</p>
<p><a href="http://www.nbclosangeles.com/entertainment/movies/Vanity-Fairs-Hollywood-is-Skinny-White-Female-83464507.html" rel="nofollow">http://www.nbclosangeles.com/entertainment/movies/Vanity-Fairs-Hollywood-is-Skinny-White-Female-83464507.html</a></p>
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		<title>By: Amanda</title>
		<link>http://www.thecriticalcondition.com/2010/02/02/oscarsnom/comment-page-1/#comment-7770</link>
		<dc:creator>Amanda</dc:creator>
		<pubDate>Wed, 03 Feb 2010 02:36:51 +0000</pubDate>
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		<description>I loved Linda Holmes&#039; take on the Best Picture nominee-list expansion this afternoon: http://www.npr.org/templates/story/story.php?storyId=123281511

She makes the point that for LOTS and LOTS of Americans, there aren&#039;t art-house theatres available, and the Oscars can make these viewers feel like the movies they went to see, loved, hated, and discussed just didn&#039;t  make the cut--thus making the Academy Awards an exclusive affair.  That&#039;s totally true for most of my region, so I really appreciated her take on it, since I&#039;ve been pretty skeptical of the expansion.</description>
		<content:encoded><![CDATA[<p>I loved Linda Holmes&#8217; take on the Best Picture nominee-list expansion this afternoon: <a href="http://www.npr.org/templates/story/story.php?storyId=123281511" rel="nofollow">http://www.npr.org/templates/story/story.php?storyId=123281511</a></p>
<p>She makes the point that for LOTS and LOTS of Americans, there aren&#8217;t art-house theatres available, and the Oscars can make these viewers feel like the movies they went to see, loved, hated, and discussed just didn&#8217;t  make the cut&#8211;thus making the Academy Awards an exclusive affair.  That&#8217;s totally true for most of my region, so I really appreciated her take on it, since I&#8217;ve been pretty skeptical of the expansion.</p>
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		<title>By: Michael</title>
		<link>http://www.thecriticalcondition.com/2010/02/02/oscarsnom/comment-page-1/#comment-7769</link>
		<dc:creator>Michael</dc:creator>
		<pubDate>Wed, 03 Feb 2010 01:17:41 +0000</pubDate>
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		<description>Just a warning:  if Avatar wins, a film whose brains are all in its look, with a script so generic and undistinguished that it defines deja vu, I&#039;m just warning you all: I&#039;m going to retreat into my ivory-tower condescension to popular culture and NEVER COME OUT AGAIN.</description>
		<content:encoded><![CDATA[<p>Just a warning:  if Avatar wins, a film whose brains are all in its look, with a script so generic and undistinguished that it defines deja vu, I&#8217;m just warning you all: I&#8217;m going to retreat into my ivory-tower condescension to popular culture and NEVER COME OUT AGAIN.</p>
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		<title>By: Mark Blankenship</title>
		<link>http://www.thecriticalcondition.com/2010/02/02/oscarsnom/comment-page-1/#comment-7768</link>
		<dc:creator>Mark Blankenship</dc:creator>
		<pubDate>Tue, 02 Feb 2010 22:10:47 +0000</pubDate>
		<guid isPermaLink="false">http://www.thecriticalcondition.com/?p=2806#comment-7768</guid>
		<description>@Destiny ... That is so true about the terms we use being inaccurate. I hesitated to put Cruz on the list, but I did because... I don&#039;t know... I do feel like her nomination adds to sense of a diverse slate of nominees. And I don&#039;t know... call me a softie, but I do feel like the nominations are indicative of something about the film industry at large. I&#039;m not saying they mean everything, but they are a type of bellwether. Yes? No? Maybe a little?</description>
		<content:encoded><![CDATA[<p>@Destiny &#8230; That is so true about the terms we use being inaccurate. I hesitated to put Cruz on the list, but I did because&#8230; I don&#8217;t know&#8230; I do feel like her nomination adds to sense of a diverse slate of nominees. And I don&#8217;t know&#8230; call me a softie, but I do feel like the nominations are indicative of something about the film industry at large. I&#8217;m not saying they mean everything, but they are a type of bellwether. Yes? No? Maybe a little?</p>
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		<title>By: Destiny</title>
		<link>http://www.thecriticalcondition.com/2010/02/02/oscarsnom/comment-page-1/#comment-7767</link>
		<dc:creator>Destiny</dc:creator>
		<pubDate>Tue, 02 Feb 2010 19:39:03 +0000</pubDate>
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		<description>It just so happens that I&#039;m currently writing a book about actors of color in film, tv, and theatre.  I think Oscar nominations aren&#039;t necessarily the best way of judging how inclusive the film industry has or has not become, but there is a clear trend toward an increase in the number of black men nominated for the Best Actor and black women nominated for Best Supporting Actress over the last 10 years.  
My first reaction to the nominations was &quot;Ugh! Now I have to go see The Blind Side.&quot;  I&#039;ve been avoiding it, but I&#039;ll have to see it if I want to keep my flawless record of seeing all the Best Picture nominees before the awards ceremony (I&#039;ve been doing it since 1994.)  I&#039;m happy about the nods for District 9 and An Education.  I wish The Messenger could have slipped in for a best picture nod.  And yeah, Penelope Cruz is Spanish so I&#039;m not sure where she falls on the &quot;people of color&quot; spectrum.  So many of the terms we use to simplify complex things like race, ethnicity, and sexuality  just aren&#039;t adequate.</description>
		<content:encoded><![CDATA[<p>It just so happens that I&#8217;m currently writing a book about actors of color in film, tv, and theatre.  I think Oscar nominations aren&#8217;t necessarily the best way of judging how inclusive the film industry has or has not become, but there is a clear trend toward an increase in the number of black men nominated for the Best Actor and black women nominated for Best Supporting Actress over the last 10 years.<br />
My first reaction to the nominations was &#8220;Ugh! Now I have to go see The Blind Side.&#8221;  I&#8217;ve been avoiding it, but I&#8217;ll have to see it if I want to keep my flawless record of seeing all the Best Picture nominees before the awards ceremony (I&#8217;ve been doing it since 1994.)  I&#8217;m happy about the nods for District 9 and An Education.  I wish The Messenger could have slipped in for a best picture nod.  And yeah, Penelope Cruz is Spanish so I&#8217;m not sure where she falls on the &#8220;people of color&#8221; spectrum.  So many of the terms we use to simplify complex things like race, ethnicity, and sexuality  just aren&#8217;t adequate.</p>
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		<title>By: stephanie</title>
		<link>http://www.thecriticalcondition.com/2010/02/02/oscarsnom/comment-page-1/#comment-7766</link>
		<dc:creator>stephanie</dc:creator>
		<pubDate>Tue, 02 Feb 2010 19:26:26 +0000</pubDate>
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		<description>Thrilled for Maggie. I saw &quot;Crazy Heart&quot; last week and wondered why she wasn&quot;t getting more buzz.</description>
		<content:encoded><![CDATA[<p>Thrilled for Maggie. I saw &#8220;Crazy Heart&#8221; last week and wondered why she wasn&#8221;t getting more buzz.</p>
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		<title>By: Gonzalo</title>
		<link>http://www.thecriticalcondition.com/2010/02/02/oscarsnom/comment-page-1/#comment-7764</link>
		<dc:creator>Gonzalo</dc:creator>
		<pubDate>Tue, 02 Feb 2010 18:05:32 +0000</pubDate>
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		<description>I&#039;m glad The Hurt Locket tied Avatar in number of noms, and I hope that means they won&#039;t crown Avatar best in show. I enjoyed it as a visual spectacle (and thus I&#039;m ok with Cameron winning best director), but if a movie with terrible dialog, and hokey scenes (alien sex! arms-waving healing chanting!) wins as best picture, I&#039;d be pretty disappointed.

On a nitpicking note: Since she&#039;s from Spain, I&#039;m going to guess that Penelope Cruz is actually Caucasian, which isn&#039;t mutually exclusive with Hispanic (I&#039;m familiar with this because I&#039;m a white-tino too, and I&#039;m always confused about which damn box to check). But in any case, I agree that it adds to the diversity of the contenders, which (as Mark argued in his response) is a good indication of progress, and not the end of the road.</description>
		<content:encoded><![CDATA[<p>I&#8217;m glad The Hurt Locket tied Avatar in number of noms, and I hope that means they won&#8217;t crown Avatar best in show. I enjoyed it as a visual spectacle (and thus I&#8217;m ok with Cameron winning best director), but if a movie with terrible dialog, and hokey scenes (alien sex! arms-waving healing chanting!) wins as best picture, I&#8217;d be pretty disappointed.</p>
<p>On a nitpicking note: Since she&#8217;s from Spain, I&#8217;m going to guess that Penelope Cruz is actually Caucasian, which isn&#8217;t mutually exclusive with Hispanic (I&#8217;m familiar with this because I&#8217;m a white-tino too, and I&#8217;m always confused about which damn box to check). But in any case, I agree that it adds to the diversity of the contenders, which (as Mark argued in his response) is a good indication of progress, and not the end of the road.</p>
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		<title>By: Rouge Gomez</title>
		<link>http://www.thecriticalcondition.com/2010/02/02/oscarsnom/comment-page-1/#comment-7760</link>
		<dc:creator>Rouge Gomez</dc:creator>
		<pubDate>Tue, 02 Feb 2010 15:58:32 +0000</pubDate>
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		<description>I know that &quot;An Education&quot; has no chance of winning Best Picture, but I&#039;m so glad it was acknowledged!</description>
		<content:encoded><![CDATA[<p>I know that &#8220;An Education&#8221; has no chance of winning Best Picture, but I&#8217;m so glad it was acknowledged!</p>
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		<title>By: Mark Blankenship</title>
		<link>http://www.thecriticalcondition.com/2010/02/02/oscarsnom/comment-page-1/#comment-7759</link>
		<dc:creator>Mark Blankenship</dc:creator>
		<pubDate>Tue, 02 Feb 2010 15:53:07 +0000</pubDate>
		<guid isPermaLink="false">http://www.thecriticalcondition.com/?p=2806#comment-7759</guid>
		<description>@Emmanuel --- Looking at the best director nominees, we shouldn&#039;t overreact and say, &quot;The work is done! All voices are being represented in American cinema!&quot; We shouldn&#039;t say this slate of nominees means everything, and you&#039;re right, a single woman and a single African-American in the category cannot guarantee a new diversity in American filmmaking.

However,  it would be equally short-sighted to say that this pool of directors means &lt;em&gt;nothing&lt;/em&gt;.  If we&#039;re interested in an American cinema that makes room for more prominent voices of color and more prominent female voices, then we can take this year&#039;s best director pool as a good sign. Is everything balanced now? No. But is this a good day for minority voices in American film? Yes. Absolutely yes. Let&#039;s not completely disregard the moment just because it&#039;s not single-handedly changing everything. Personally, I prefer to hope that this will be step one of a long, satisfying process. 

I ground that optimism in the reality of the acting categories. When Denzel Washington and Halle Berry won in 2002, it was a landmark year, and since then, there have been more acting nominations (and wins) for actors of color than in any other decade. Are actors of color now receiving unfettered opportunity? No. But does their situation seem to be improving? Yes. The culture of American film is creating more excellent roles for actors of color than it was before. 

Now, I&#039;m not saying the Oscar wins for Berry and Washington kicked down the doors all by themselves, but I do think they make a useful touchstone for an era when the larger culture of American film started opening up a little for minority actors. And maybe the 2010 Academy Awards will be seen as the same kind of touchstone for female and minority directors. Again, we can&#039;t say that&#039;s &lt;em&gt;absolutely&lt;/em&gt; what will happen, but I&#039;d argue it&#039;s perfectly valid to look at this morning&#039;s announcement with a clear-eyed sense of excitement.</description>
		<content:encoded><![CDATA[<p>@Emmanuel &#8212; Looking at the best director nominees, we shouldn&#8217;t overreact and say, &#8220;The work is done! All voices are being represented in American cinema!&#8221; We shouldn&#8217;t say this slate of nominees means everything, and you&#8217;re right, a single woman and a single African-American in the category cannot guarantee a new diversity in American filmmaking.</p>
<p>However,  it would be equally short-sighted to say that this pool of directors means <em>nothing</em>.  If we&#8217;re interested in an American cinema that makes room for more prominent voices of color and more prominent female voices, then we can take this year&#8217;s best director pool as a good sign. Is everything balanced now? No. But is this a good day for minority voices in American film? Yes. Absolutely yes. Let&#8217;s not completely disregard the moment just because it&#8217;s not single-handedly changing everything. Personally, I prefer to hope that this will be step one of a long, satisfying process. </p>
<p>I ground that optimism in the reality of the acting categories. When Denzel Washington and Halle Berry won in 2002, it was a landmark year, and since then, there have been more acting nominations (and wins) for actors of color than in any other decade. Are actors of color now receiving unfettered opportunity? No. But does their situation seem to be improving? Yes. The culture of American film is creating more excellent roles for actors of color than it was before. </p>
<p>Now, I&#8217;m not saying the Oscar wins for Berry and Washington kicked down the doors all by themselves, but I do think they make a useful touchstone for an era when the larger culture of American film started opening up a little for minority actors. And maybe the 2010 Academy Awards will be seen as the same kind of touchstone for female and minority directors. Again, we can&#8217;t say that&#8217;s <em>absolutely</em> what will happen, but I&#8217;d argue it&#8217;s perfectly valid to look at this morning&#8217;s announcement with a clear-eyed sense of excitement.</p>
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		<title>By: Doug</title>
		<link>http://www.thecriticalcondition.com/2010/02/02/oscarsnom/comment-page-1/#comment-7757</link>
		<dc:creator>Doug</dc:creator>
		<pubDate>Tue, 02 Feb 2010 15:37:23 +0000</pubDate>
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		<description>No, but if we want to talk about Oscar firsts, I do believe PRECIOUS is the first-ever best picture nominee directed by an African-American.</description>
		<content:encoded><![CDATA[<p>No, but if we want to talk about Oscar firsts, I do believe PRECIOUS is the first-ever best picture nominee directed by an African-American.</p>
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