Welcome to Wife Watch!, the only blog post that ranks the most powerful wives on this week’s episode of Big Love.
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In the season’s penultimate episode, “Next Ticket Out,” writer Patricia Breen lays Bill’s cards on the table in this conversation with Ana:
Bill: Doggone it! Margene is my wife! I can’t share her with you and Goran.
Ana: Why Not?
Bill: Because it’s unnatural, that’s why.
Ana: (scoffs)
Bill: A man has to know his woman is his. It’s just the way it is.
Ana: Are you aware of what you’re saying?
Bill: Of course I am. A woman cannot have two husbands. It’s just wrong.
Ana: How can YOU say that?
Bill: I’m not a hypocrite. I explained our religion to you. I told you all about it!
As you read this, you have to imagine Bill Paxton delivering his lines with a high-pitched, baby-has-a-tantrum voice and a look of bewildered irritation on his face.
This is the clearest the show has ever been about how Bill’s faith or hubris or whatever has warped him into a self-centered, self-righteous, and immature hypocrite with a raging God complex. He may believe he gets his instructions from The Principle or from God, but he interprets those instructions to mean that everyone in his family should do exactly what he says at all times.
Granted, he’s not tyrannical about his power. He doesn’t beat his wives or try to psychologically wound them into submission the way Frank, J.J., and Roman have done. He uses everyday weapons like guilt, hectoring, and pouting to get his way.
Given the scene I just transcribed and several others like it—Bill tells Barb she has “defied” him, as though he’s her king; he tells Marge it’s wrong to hide her polygamy for the sake of her business, despite what he did for HomePlus—I’d say this episode offers the series’ most scathing critique of what polygamy does to men. Bill obviously has decency and compassion, but they’re perpetually strangled by his twisted worldview.
Consider his small, kind act of letting Barb make an unpopular statement about scrip addiction among Utah women: Barb basically has a nervous breakdown before he lets her speak her mind. And last week, before he was willing to renounce his earthly power for his family, they had to face a massacre in a Mexican compound. If it takes situations this extreme to make Bill acknowledge that maybejustmaybe he isn’t the world’s most Knowing Man, then he’s clearly been deformed by his life. He clearly spends most of his days believing he’s some kind of god.
I’m surprised, frankly, that the series has pushed it this far. There’s always been tension about the sustainability of the Henrickson’s life (and the value of polygamy in general), but the negative was generally tempered with the positive. For every scene of Roman raging or Barb weeping, we’d also see Marge taking succor in her new family or Adaleen taking control of her destiny. Now, the bad obliterates the good. A halfway-happy birthday party for Teeny just isn’t a balance for Bill’s sanctimony, J.J.’s craziness, and Roman’s ongoing power to shame Alby out of happiness.
Has the series painted itself into a corner? Can it pull back from this anti-polygamous path and restore some balance? Should it? Â As I said last week, I can’t keep the show from changing, but it’s hard to imagine how I could stay connected to a series that seems to dislike so many of its characters’ choices. If I want a stern moral lesson on Sunday nights, then I will go to church.
It’s also hard to trust that things will correct themselves when the writing in this short season keeps disappointing. Like, did you notice that the first scene of “Next Ticket Out,” when Sarah, Ben, and Teeny set the table, is nothing but a blast of exposition? There’s so much happening in so few episodes that the series doesn’t have time to let events unfold organically. Instead, it has to pause the story and catch all the characters up on what they’ve been missing. It’s a clunky technique, to say the least.
Also clunky? Nicki’s storyline. Intellectually, I can see how her attempt to become more “normal” could be moving, and Chloe Sevigny and Matt Ross are such great actors that when Nicki tries to get Alby to leave Juniper Creek and chase the happiness he was starting to feel as an openly gay man, I’m touched. But overall, there’s something half-baked about her arc. Instead of arriving at them slowly, so that we can experience them, too, Nicki just announces her personal revelations flat out. “I want to be normal. I want out of this life. I like flaunting my boobs.” When we’re told these things instead of being shown them, they’re less satisfying. It’s like if someone says they love you with an expressionless face. It’s hard to believe the words if you don’t see the proof that they’re true.
Oh! And since when did Nicki not love Bill? How can this be the first week she really loves him? Just telling me she’s never loved him isn’t good enough, since it negates everything she’s been doing for years. I may understand that Nicki wants Bill all to herself now, but I don’t feel it. You know what I mean?
(And don’t even get me started on Other Nicki… the one who’s angry a Joey for killing her father and trying to protect Wanda from herself. That feels so disconnected from the show that I can’t deal right now.)
Sadly, I don’t feel much for Sarah’s decision to move away. Amanda Seyfried isn’t coming back and there was no way Sarah could do anything but get out of Dodge, but it bums me out that her departure is handled in such a perfunctory way. Her wistful moment in the kitchen plays like one more task on a checklist, not a scene that’s given time to breathe.
Margene fares better, but this recap is getting long… so I’ll just give her props for calling Bill on his b.s. (once again) and correctly pointing out that by Bill’s own standards, her paper marriage to Goran shouldn’t mean anything.
And then there’s Barb. She makes an honest but politically unsavvy statement about Utah women and pills. She realizes the extent to which Marilyn is in cahoots with the Religious Right, and she realizes that she hired this viper just to lash out at Bill. She fights against Bill’s attempts to silence her, control her. (Like Nicki wanting Bill to herself, her unhappiness underscores the show’s newly apparent distrust of polygamy.)
And finally, she gets Bill to change. She gets him to defend her drug abuse comment on air. She moves the mountain, and even if it’s just an inch, it’s enough to make her First Wife.







10 responses so far ↓
1 Andrea Forrester // Mar 2, 2010 at 12:15 pm
In anticipation of reading your blog on this episode, I had already decided to leave a comment this week. I am getting so upset with Bill, and as you pointed out, his similarities to the men and culture that he is so vehemently trying to disown. He is using other means, but he is still just like Roman, J.J. and his father, in that he is controlling his wives, manipulating their feelings, and even casting them aside when they are not needed. His hypocrisy was so apparent in his conversation with Ana. Bill has been on my bad side ever since he forced Don to out himself. That is what began this most selfish turn of Bill’s character. Before now, he has been able to redeem himself in my eyes by admitting his faults when they are so glaringly apparent. However, this is not the case this time. Barb and Nicki are trapped in this situation because of their own reasons, but I don’t see why Margene does not run away quickly, while she still can. I don’t know what can happen in this week’s season finale to redeem it all for me…we’ll have to see. Love the blog, Mark!
2 Mark Blankenship // Mar 2, 2010 at 1:05 pm
Hi Andrea! Thanks so much for your comment and I’m glad you’re enjoying The Critical Condition!
About Margene… I feel like she WOULD leave the family if she didn’t have kids. Or at least, she’d be more likely to leave. But those babies tie her to Bill and the rest of them pretty tightly. What do you think?
3 InfoMofo // Mar 2, 2010 at 2:06 pm
Can we please address the biggest problem with this show, which is NEW TEANY.
Every time shows her face on screen, I’m hoping that Lois shows up and chops off an arm or two. I’m convinced she’s been brought on to the show as a lightning rod, to irritate the viewer into turning a blind eye to the larger plot holes and slightly less unlikable characters
4 Michael // Mar 2, 2010 at 3:53 pm
Seconds on the incredible clunkiness of the Nicki revelations–they feel so forced that it’s hard to believe she means any of them; it’s as if she’s become a character-revelation machine and somebody crossed her wires so she’s discharging randomly.
As for the treatment of Bill, doesn’t it feel as if the writers got tired of the extraordinary effort of treating all of this even-handedly, and decided this season just to make Bill into Michael Corleone? He’s rising in power in the organization and thus buying into all his predecessors’ corruptions, only to pay the price (one expects) for his sins at the hands of the very writers who twisted him into making them. (And the patterns of giving Bill one redeeming act in an hour of jackassery per episode is getting predictable.) It’s not only moralistic writing, it’s lazy: what’s the challenge in making secret, patriarchal polygamy look bad?
Is that a shark in the water down there behind us?
5 Dee Jay // Mar 2, 2010 at 4:11 pm
I love this show so much, and have always held the writing and acting in such high regard. This season is sort of getting a pass with me because of the small number of episodes. Still, it has made me laugh (EXtreme Tetherball!) and made me cry (Alby and Nicky this episode) and I know I won’t give up on it. In fact I can’t wait for next season – already in hopes that the writing and story arcs return to the high level of seasons past.
Don’t give up on the recaps please! I really look forward to them as an addition to each episode. Thanks again and how awesome was the immigration lady?
6 Jacquie // Mar 2, 2010 at 6:19 pm
Mark I just LOVE your recaps they are always on point.
7 Mark Blankenship // Mar 2, 2010 at 8:24 pm
Michael — You make an excellent point: If Bill does get his comeuppance, it will be delivered by the same people who turned him into such a miserable bastard in the first place. That IS lazy writing.
Dee Jay — As long as the show keeps going, I’ll keep recapping. I’m in this thing!
Info Mofo — I’ve been trying to come up with a good name for Fake Teany. PreTeandy?
8 pamie // Mar 3, 2010 at 4:31 pm
I thought Nicky’s mood swings, sudden horniness and emotional “I LOVE HIM NOW AND WANT HIM TO MYSELF” was all due to the “hormone” injections she’s been receiving. She’s acting like a teenager because it’s like she’s just hitting puberty for the first time.
Maybe I’m reading too much into it.
As for the rushed feeling, I heard that the producers had to drop this season from twelve episodes to nine to make room for THE PACIFIC. Maybe they’re trying to prove a point that if they cut out entire episodes, characters will have to stand around a table to fill each other in on what the hell’s been going on. Because I don’t understand how the entire Mexico arc is somehow resolved with an arm hatcheting. Where did everybody who doesn’t live in Bill’s house go after that?
9 Mark Blankenship // Mar 3, 2010 at 5:33 pm
Excellent question, Pamie. Where DID Lois and Frank and the rest of them go? Maybe they’re swinging their machetes through the American Southwest. Now THAT would be a road-trip series I would watch.
I hadn’t considered the fact that THE PACIFIC may have put the squeeze on this season, but that makes sense. There really haven’t been that many WWII miniseries, and I’ll be especially interested to see what Tom Hanks and Steven Spielberg can do with the subject. I’m kind of surprised, really, that they haven’t covered this ground many, many times.
10 InfoMofo // Mar 5, 2010 at 2:11 pm
Faux-teany? I can’t believe it’s not Teany? Teany Sargent?
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